Brands Are Not Human Beings (w/Jack Conte)
Newcomer PodMarch 15, 202200:58:4953.85 MB

Brands Are Not Human Beings (w/Jack Conte)

Patreon CEO Jack Conte took the stage at my first ever SXSW event with a beer in hand.

With Dead Cat co-host Tom Dotan, we discussed crowdfunding, OnlyFans, Substack, NFTs, Ukraine, and whether creators are brands.

Speaking from the stage at the Volley Game Room at SXSW, Conte explained why his company wouldn’t compete with the likes of Twitter and YouTube to build audiences for the creators that it works with. “Patreon set out to solve a very specific problem. The specific problem we were solving was, there are creators who are getting millions of views, creators who have incredible reach, but they’re being undervalued by society,” Conte said.

Conte said that he didn’t think Patreon could compete directly with large social media companies. “I actually don’t know that that’s a war that we would win. Those businesses are solid businesses. They have moats. They have network effects that make it very difficult to break into those worlds. I think Patreon’s best bet at solving this problem of creator payments is focusing very specifically on the problem of creator payments.”

Conte seemed to be interested in exploring NFTs but was reticent to say that the company was specifically considering embracing them after receiving backlash on another podcast for even asking a question about NFTs.

Toward the end of our conversation, Conte disagreed with journalist Taylor Lorenz’s stance that reporters should worry about their brands. Conte objected to the idea that creators of any sort should be thinking too much about their “brand.”

For context, earlier this month, Insider quoted Lorenz in a much-discussed article.

“When you think about the future of media, it’s much more distributed and about personalities," said Taylor Lorenz, a former Times tech reporter who recently left for The Washington Post. “Younger people recognize the power of having their own brand and audience, and the longer you stay at a job that restricts you from outside opportunities, the less relevant your brand becomes.”

A bunch of political reporters — including the New York Times’ Maggie Haberman and Washington Post reporter Jacqueline Alemany — seized on Lorenz’s comments to take issue with the notion that journalists should shape their “brand.”

Conte seemed to agree with Lorenz that journalists can increasingly operate independently of newsrooms, but he took issue with the idea that journalists should mind their brands.

“Can journalists develop independent followings?” Conte asked rhetorically.

“Of course they can.”

“Do journalists need to be a part of larger institutions and leverage those institution’s historical reach?”

“No, obviously, that is changing.”

“But the more interesting part of what you just said is the distinguishing characteristics between this concept of a brand and the concept of a creator,” Conte said.

“What I would argue is that those are very f*****g different things. Very different.”

“A brand is consistent. It has brand values. It builds trust. It has decks of like its style and its voice and what it sounds like. And if it were a person, what kind of jeans would it wear?”

“Like that’s what brands are.”

“Brands are not human beings,” he continued. “They’re not.”

“Creators are f*****g people. They’re inconsistent. They’re human. They're beautiful. They’re frail. They’re smart. They’re stupid. They’re strategic. They’re impulsive. They’re human beings.”

Conte said, “We’re all trying to behave like brands today. And brands are corporations. Like we don’t have to behave like brands.”

“When you watch a Prince music video — that f*****g guy is just himself, no matter what. And I don’t want him to behave like Walmart. I want him to be Prince. And my favorite creators, I want them to be themselves and I want them to feel human and I want them to not feel trapped by their brand values. I think it’s a mistake for everybody to think, ‘I need a personal brand. I need to create a brand.’”

“Just be yourself.”

Next week, look forward to VC Jeopardy with Deena Shakir, Julian Eison, Charles Hudson, and Steve Brotman.



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00:00:06
Welcome, full-time, salary. Hey everybody.

00:00:14
Welcome to volley game room. Thank you for coming and

00:00:18
drinking our drinks and crashing the party and welcome to

00:00:23
everybody. What the fuck?

00:00:24
It up? Austin, Texas.

00:00:27
Tom has the enthusiasm. So I'm Eric new Comer, I run the

00:00:30
newsletter newcomer named after myself.

00:00:33
We are co-hosting the event. This is my have a podcast called

00:00:38
dead cat, with Tom, dote on here.

00:00:41
Hey, what you guys like? That fucking wheel up there,

00:00:45
guess what? I got a quick question.

00:00:51
All the people that were spinning the wheel out there,

00:00:53
who got a free? Who's got free drinks tonight?

00:00:56
Who wants free drinks. You got The Wristband.

00:00:59
Show me your wristbands if you got the wristband, big winners.

00:01:03
All right, I got another question for you guys out there

00:01:06
who got a free subscription to newcomer.

00:01:10
I realize it one in 200 you. Somebody is there somebody got a

00:01:13
free subscription or newcomer. No, gonna grab really, somebody

00:01:18
email you the subscription later come up over here.

00:01:22
You might want to come upstairs for a second.

00:01:24
We got a real winner in the house here and I want him to

00:01:26
understand what he's in for. Hey, Mike.

00:01:34
If it's not all that easy Mike, this is life.

00:01:36
Yeah. Yeah, you know what sucks is

00:01:37
that was next to the unlimited drinks?

00:01:39
I know they set me up, so your by putting it, I know, but I had

00:01:44
it and then everyone was cheering and then it right over

00:01:47
right over the next bankruptcy right there.

00:01:49
Yeah, thank you for that. Thank you.

00:01:51
Okay, so just a quick question here.

00:01:53
So thank you. What's your name, Daniel?

00:01:55
Hey, Daniel, welcome, are you from Texas?

00:01:58
Well, I live here now, but no, I'm not from Texas.

00:02:00
Are you one of those California guys?

00:02:01
I moved out to Texas. Yes.

00:02:03
Yes. Okay.

00:02:04
Okay, wait, wait. I'm from the better half of

00:02:07
California, though. So San Jose, not La.

00:02:09
Fuck La. I'm I've lived in both places.

00:02:13
I'm not taking his side. Do you work in Tech?

00:02:15
I do had you heard of newcomer the sub stack that focuses on VC

00:02:21
and other Venture related issues before this.

00:02:26
Tell the truth. Tell her like a sniper here.

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If I say, no, no, no. We don't have that budget

00:02:30
marketing here. That is a mighty.

00:02:32
I know. No, I have not.

00:02:33
No. Okay, well, we're going to check

00:02:35
back in with you, in six months, with your free newcomer

00:02:38
subscription. We're gonna find out if it was

00:02:40
worth any of your time. So, thank you so much.

00:02:42
Thank you. Thank you.

00:02:42
Thank you for coming. Thank you, Daniel.

00:02:46
We're going to have a jack Conte.

00:02:47
The patreon co up here in one second.

00:02:49
So we'll be much more legit. I just this event is being held.

00:02:54
Hosted by volley, which is an audio voice chat.

00:02:58
You should play audio voice game.

00:03:00
They have song quiz. I'm watching Max child right

00:03:04
now. Judge my marketing pitch for

00:03:07
him, which as a recursive feedback loop backs.

00:03:11
But yeah, they have a Jeopardy game.

00:03:13
They have a song quiz. You should play their voice

00:03:16
games on Alexa or whatever Google labs.

00:03:19
They got to deal with Jeopardy, they got a deal with Wheel of

00:03:21
Fortune, which you probably saw out on the front.

00:03:23
That was the original. A wheel from Wheel of Fortune.

00:03:25
By the way, you guys were all spinning.

00:03:26
So as a big fucking deal. All right, so we got Jack Conte,

00:03:32
like we said, coming up here later before that.

00:03:34
I feel like this is my first time at South by Southwest.

00:03:37
Yeah, I came pre-pandemic. Sort of several times in the wet

00:03:43
back when apps were still really trying to go viral South by but

00:03:47
after I think absolutely legitimate well, that's

00:03:50
amazingly. The Tech conference was that

00:03:52
people. There was a breakout apps, like

00:03:54
you can Come here, you could like demo your app like Vale and

00:03:57
then it would become the next big thing and then he would say

00:03:59
like oh in the way that ex broke out at South by the next thing

00:04:02
the breakout. Yeah right well I mean Twitter

00:04:05
Twitter Foursquare, where the relapse this sort of did it

00:04:09
right. Right.

00:04:09
So there's Twitter and then like it's a huge drop-off from there

00:04:14
to the rest of the other apps that were sxsw meerkat for a

00:04:18
second. I think people thought like

00:04:19
really break. Can you go through that will go

00:04:21
through that but since we have a couple minutes here before we

00:04:23
get Jack coming up, On stage. I thought it'd be fun to kind of

00:04:26
talk about South by Southwest as a as a tech at the history of

00:04:29
tech at South by because like Eric was saying, I think it was

00:04:32
Twitter that made South by a name like a place you want to

00:04:36
break your app out. But I did a little bit of

00:04:38
research Eric and I are both journalists so you know so we

00:04:41
Google Google old articles. Yeah.

00:04:43
We know how to read from, it's called research and we and we

00:04:49
pulled up some of the old winners at South by Southwest.

00:04:54
And so I'm going to pull it up here.

00:04:56
This is an article that came out.

00:04:57
This was in wired and by the way, I don't want to call out

00:04:59
any other journalists because we all have to file fucking stories

00:05:02
from here. We're here because our companies

00:05:04
paid us to be here and the best we can do is file enough copies

00:05:08
that our editors don't ask us why they sent us out here, but I

00:05:11
want it. I want to read an article from

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2008, which was two years after Twitter broke out here and it

00:05:17
was talking about the next breakout app at South by.

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So 2006 was was Twitter. I think 2007, With Twitter.

00:05:24
And by the way, the Twitter breakout was not like, oh, we

00:05:27
can conceive of the possibilities with this app or

00:05:30
we can consider this as you know, the next wave and how

00:05:33
democracy will be, you know, that was that was practiced age

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of Twitter where you would tweet, like, I'm drinking a

00:05:38
coffee. That was the reason people

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fucking use of Twitter at South by was like, I'm at I'm at the

00:05:43
conference, right? The pre politics, I'm here in

00:05:46
Michael Dell talk right now and this is fucking, you know,

00:05:49
crazy. That's what they used it for.

00:05:50
It wasn't about like right. Well forces.

00:05:53
Are invading Kharkov right now. So anyway, so this is from, this

00:05:57
is from a 2008. This is from, this is the

00:06:00
breakout app, two years after Twitter broke out last year.

00:06:03
Twitter was the big winner at South by Southwest in 2008.

00:06:06
It's all about sked dot-org. Every year one web service

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captures, all the buzz of the to week-long conference by proving

00:06:14
itself to be an Innovative geek friendly and perhaps most

00:06:17
importantly, insanely useful this year.

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A simple calendaring service is the site most plugged into South

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by Southwest dike Zeitgeist. So that that was, that was where

00:06:27
things went. We have a lot of people yawn,

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sked dot-org, still. Yeah, hardcore users got in how

00:06:33
to the scared. Dot-org.

00:06:34
Founders. Raise your hands.

00:06:36
So I don't know what, you know what could try guys.

00:06:39
We're all were all Just trying here.

00:06:41
No no shade for the scheduled or guys.

00:06:43
But quickly with the comments for me, bring Jack on stage.

00:06:45
I want to run down the other breakout apps that they had at

00:06:48
at South by want to do that. Let me let me bring up an

00:06:53
article. This is from box.

00:06:55
This is written by her friend Kurt Wagner.

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By the way, no longer at vaux, you guys know girl back, this is

00:07:01
a tech Insider podcasts real Insider shit.

00:07:06
I see we got Josh constant in the crowd.

00:07:09
Yeah. We love.

00:07:10
We love older. All right, so Twitter, 2007, big

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deal. We like that.

00:07:15
That worked out 2009 Foursquare. I mean that's basically an ad

00:07:20
tech company right now. I think that right sleeve You do

00:07:23
right? They utilize their location data

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and sell it to things. Kind of fell off a bit.

00:07:28
From being the mayor of like you know, Franklin's Barbecue, 2012

00:07:33
was highlight, the app was highlight.

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Big break out at you as member highlight.

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Do you really do you guys remember highlight?

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I don't remember. It was about like it was

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location-based. It was like you could find out

00:07:46
if your friends were nearby, it was the founder of Clubhouse.

00:07:48
Yeah. I mean it was he the meerkat guy

00:07:51
to or no? That's a different guy.

00:07:53
Yeah. All right, there are a lot of

00:07:57
social apps meerkat, which several months after South by

00:08:01
Southwest had to Pivot to house party, right?

00:08:04
Which is no longer a thing and that's it.

00:08:07
That's the end of the article. That is the that is the full

00:08:11
extent of the breakout asked by side by side.

00:08:13
All right, let's get Jack. I'm here.

00:08:14
Jack Conte to see you at patreon.

00:08:20
Also a musician, his company was recently valued at four billion

00:08:25
dollars. He is an expert on the Creator

00:08:28
economy. Jack thanks.

00:08:31
Thanks so much for being here. Ah thanks for having me psyched

00:08:33
to be here. Yeah, you missed live.

00:08:35
Audiences your musician. So and it's been obviously two

00:08:37
years since we've had. I mean it's at where else.

00:08:39
Can you get drunk and talk about trust and safety and content?

00:08:42
Palestine Free Speech. Right?

00:08:44
Right. How have you I was asking this

00:08:47
away. I have you done, many, have you

00:08:49
performed Itself by or what's your history with my wife?

00:08:52
My wife has and I've always, you know, I've probably been to like

00:08:56
two or three of these. So not not a ton really.

00:08:59
Yeah, what? And by the way, the name of your

00:09:01
band, you've got a couple, right, you've got a couple of

00:09:03
outfits and when people probably know the most is pomplamoose,

00:09:05
pomplamoosemusic a high pockets. Yep, okay, but never performed

00:09:09
here at South by. Nope, never performs out that we

00:09:11
actually don't both bands are interesting.

00:09:13
We own our masters. Okay, and so touring and live,

00:09:17
isn't like the primary income stream for the band's.

00:09:20
So we kind of, you know, we like cell songs, we have memberships

00:09:23
through patreon. We like sell merch, other stuff

00:09:25
like that, but we don't do a ton of live stuff.

00:09:27
Really interesting. Yeah, what's the reason why it

00:09:30
just doesn't fit with the vibe or you just would rather keep

00:09:33
everything Studio based or what's we're completely

00:09:35
independent? Okay, we we again on our masters

00:09:40
so like our money comes from streaming and and other things

00:09:44
where, you know, Like we that we do with our fans.

00:09:47
I just wanted we're going on sound, right?

00:09:49
You all here is great. Make sure to let's keep the mics

00:09:52
close. Oh and friends are showing up.

00:09:54
Sorry to cut you off. I just knows mine.

00:09:56
It's important that they hear us you know it's one of the thing

00:10:00
here you. Yeah.

00:10:02
So by the way I mean live performing is so let's actually

00:10:07
for the audience here that doesn't know what patreon is.

00:10:09
We can probably just give that run down before use that as a

00:10:11
launching pad for the rest of gravitation.

00:10:13
So why don't you give the the elevator for For B now, for

00:10:16
billion dollar company patreon. Sure.

00:10:18
Yeah, it's a membership platform that helps creators, run

00:10:22
subscriptions, and in exchange, for exclusive content and

00:10:25
Community with their fans. This is a way that a lot of

00:10:27
craters have been kind of running businesses and building

00:10:29
that that die-hard fan base and getting paid for it.

00:10:32
Yeah. What like podcaster number one

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or what sort of, in terms of people running real like

00:10:39
membership, businesses and generating revenue for you guys

00:10:42
like what are sort of the greatest hits or and Is and then

00:10:45
specific. So it's a lot of video, a lot of

00:10:48
podcasting is a lot of visual artists and web comics but it's

00:10:53
pretty Diversified. I mean it's folks across all

00:10:55
types of categories at the end of the day it's like do you love

00:10:58
your fans and do your fans love you back.

00:11:00
Those are the creators that are crushing it and and you know

00:11:02
doing a really good job. Yeah.

00:11:04
I mean let's go back to the origins of patreon because I

00:11:06
think I you and I kind of cross pass along like 2014, which is a

00:11:11
very early days for patreon because we're just getting off

00:11:13
the ground. So what was the?

00:11:15
The inspiration for the app. Why did it need to exist?

00:11:17
As far as you were concerned and what problem were you

00:11:19
addressing? Yeah, I was solving a problem

00:11:23
for myself, right? I had just finished like three

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months of working on this music video that cost me 10 grand.

00:11:29
I trained my savings account to do this video.

00:11:32
Well, I'm maxed out to credit cards.

00:11:34
I built a replica of a man named Falcon cockpit in my studio.

00:11:38
I work with this, like the video involved, this animatronic head

00:11:41
and this 3D printed hexapod, robot.

00:11:43
Like I went all out on this video.

00:11:45
It's like Like, okay, go Aero. Yes music videos, right.

00:11:48
It was like, remember that a feat of heroics, right?

00:11:52
And and it's a video up on YouTube, can we find is up on

00:11:55
YouTube and has over 2 million views?

00:11:57
Like it was a thing that I knew was going to like reach my

00:11:59
community. Like, people would be psyched

00:12:02
about an excited about it. And I knew I'd upload this video

00:12:04
and I get paid 150 dollars in ad revenue, and I was like, right,

00:12:07
fuck this. I cannot keep doing this, right,

00:12:10
right? So you're going to get 2 million

00:12:11
views on YouTube and then, excellent.

00:12:13
Okay. You can do, it has about.

00:12:14
I think it was like, Tune into like sorry, sorry.

00:12:16
Yeah, there's always number inflation.

00:12:18
But yeah, it's getting $200, Instagram.

00:12:21
Yeah, I think that, like over the lifetime of the video now,

00:12:23
it's maybe like, maybe like, 800 bucks or 900 bucks, something

00:12:27
like that. Right?

00:12:28
And what saying, what year was this?

00:12:30
This was 2013, okay? So like the YouTuber Creator

00:12:34
economy was you know getting off the ground in a big way back

00:12:37
then right? Like YouTube is trying to kind

00:12:39
of cultivate these groups of people.

00:12:42
They have the Creator program they were trying to make it

00:12:43
happen. Yeah but it is.

00:12:45
It clearly wasn't enough like why didn't you tubes own

00:12:47
efforts? Give you the revenue and

00:12:50
business that you thought you should have gotten.

00:12:53
I think it's a matter of the business model on on YouTube.

00:12:58
If I'm a fan of a Creator and suppose, I'm a die-hard fan of a

00:13:03
crater suppose, I have all the shirts.

00:13:05
I go to all the shows. I watch every single video.

00:13:09
I follow them on Instagram. I'm like die hard fan of that

00:13:11
crater when I watch that crater is video.

00:13:15
Under the ad model. I'm essentially transferring

00:13:18
1/1000 of a CPM to that Creator in value, which is maybe pennies

00:13:23
or less, even though I'm a DOT. Like I love this person and

00:13:28
their video might change. My life doesn't fucking matter.

00:13:31
It's 1/1000, you know, of a CPM that business model sucks.

00:13:37
Right for individual creators. Yeah, turns out.

00:13:39
It has some pretty big problems with Society at large as well,

00:13:42
right? But for creators, it's not in

00:13:44
the mediations. Yeah, it's not an efficient like

00:13:46
economic engine to fuel their creativity, right?

00:13:48
Yeah. And so when you actually start

00:13:51
paid how soon after this YouTube video is patreon exist in some

00:13:55
form. So, it's funny, I was working on

00:13:59
the video leading up to patreon and it was before I posted the

00:14:04
video that I was like, had this dark realization is like, this

00:14:09
is the best thing I've ever made in my life.

00:14:11
And I'm going to be paid less than $200.

00:14:14
I won't do that. And that's when I simultaneously

00:14:16
started working on the idea for patreon.

00:14:18
I sketched out the ID on 14 pieces of printer paper.

00:14:21
I sent it to my freshman year roommate in college.

00:14:23
He looked at it was super inspired thought we should do

00:14:25
this. I said great, let's do it right?

00:14:28
And then he started basically engineering the first version of

00:14:32
patreon. He's so he started you know?

00:14:33
Riding the. He's listening to you by CTL.

00:14:36
Yeah, okay. And and then we launched patreon

00:14:39
with that video. That was the video where I post

00:14:42
it on YouTube at the end of it. I put a little Vlog.

00:14:44
I said, Everybody trying this thing.

00:14:47
I think it could help a lot of people like you know, join me.

00:14:51
How many members did you get you remember?

00:14:53
Yes, within two weeks. I was making six figures as an

00:14:58
artist. Wow.

00:14:59
Which like you know right. I mean yeah like I didn't change

00:15:03
my music through the monthly subscription.

00:15:06
You like a shit. Exactly.

00:15:07
Do you know, have you tried to see if any of those people are

00:15:09
still giving you their money? Or did you cut it off or they're

00:15:12
still? No.

00:15:13
I have a date. Job now.

00:15:16
So I don't post much on that account anymore.

00:15:18
Actually, I haven't posted in like seven years on that

00:15:20
account. Ironically, I built this thing

00:15:22
to help me be a Creator and then I had to stop posting but I

00:15:26
popped loose in scary pockets are very, very prolific, you

00:15:28
know, so I'm actually making like a hundred music videos a

00:15:31
year between those two bands but just not for my solo stuff.

00:15:34
I don't have a team around. Those are on patreon like those

00:15:36
are people that can sign up for ya the shit.

00:15:38
Those are ya both bands. Have memberships and both bands

00:15:41
are, you know, it's have active communities and are releasing

00:15:44
weekly. And Elite Daily, both bands are

00:15:45
releasing daily. Yeah, did you know that you

00:15:48
wanted to go down the like the vent?

00:15:50
Like raising through Venture Capital route?

00:15:51
Because theoretically this is a business.

00:15:53
You guys take. What is it?

00:15:54
10 percent. We have three tiers of pricing

00:15:56
5. 8 and 12 5-12. Yeah.

00:15:58
So, theoretically from day one you guys were producing Revenue

00:16:01
like this was a real big boy business.

00:16:03
Yeah, I mean, within a month, the company was profitable,

00:16:06
right? Because it was, it was making

00:16:08
money and Sam and I weren't taking salaries.

00:16:10
And so yeah. And then there came a point

00:16:13
where we were getting so much in Found so many emails.

00:16:17
You know, we realized we needed to hire a team to kind of help

00:16:21
with the operations of the business and that's when we

00:16:23
started looking at options and trying to figure out, you know,

00:16:25
do we need to raise money? Do we just hire people?

00:16:28
Do we try and bootstrap it and yeah what?

00:16:31
I mean, you really emphasize membership.

00:16:34
Right. What distinction are you drawing

00:16:36
there? I, you know, I'm in sort of the

00:16:38
newsletter business, which is, you know, related to Media

00:16:41
companies and there's much more of like They say subscription

00:16:44
and you know, there's this sense that it's very clearly tied to

00:16:47
like a recurring product, I don't know, what do you see is

00:16:50
sort of the membership subscription lying?

00:16:53
I think it's an emotional component that makes it

00:16:56
different. A subscription is very

00:16:58
transactional. Now there can be subscriptions

00:17:01
that you deeply care about organizations that have missions

00:17:04
that you really care about your voting with your dollars.

00:17:06
You want to support them. But I think what distinguishes a

00:17:08
membership is that it is deeply emotional.

00:17:12
I'm paying Not just for exclusive content and Community.

00:17:15
But I'm paying because this is something that I want more of in

00:17:18
the world. It's a beacon of my identity.

00:17:21
It's like a I'm a super fan of this thing.

00:17:24
And I think the other the other component of it that's different

00:17:26
is it allows structured tiered benefits that a crater can offer

00:17:30
to their fans, right? So Creator can have three or

00:17:32
four tiers of membership. Whereas the subscription is kind

00:17:36
of just one thing for the exclusive content or you know,

00:17:40
the box in the mail or whatever it is whereas membership is

00:17:42
more. Holistic more about the

00:17:44
community more about the emotion.

00:17:45
You have tears of newcomer, right?

00:17:47
You've embraced that model as well have monthly annual and

00:17:49
then I have founding, which is just sort of you have a lot of

00:17:52
money with water to give its right?

00:17:53
Yeah. Yeah, that's cool.

00:17:55
What do you call that validated? No sir.

00:17:57
I got founding. It smelled a just like it is it

00:18:02
is it is a surprise like oh wow, that's a little touch.

00:18:14
Oh my God, I think I should be even more.

00:18:16
Like, that's just funding your therapy at that.

00:18:18
Right? You're on your own.

00:18:20
I mean when you guys got going there was sort of like there was

00:18:23
like the I feel like there's a lot of hype around like the

00:18:26
kickstarter like crowdfunding thing right.

00:18:28
And that's much more go. Go did towards like the Creator

00:18:32
economy or the idea that these is actually people's jobs and

00:18:35
less like one off. I mean have you how Have you

00:18:39
actually seen a shift in like the mix of type?

00:18:42
The types of projects you're doing or you feel like you're

00:18:44
always on sort of that the Creator economy side rather than

00:18:48
this? Because I'm sorry too.

00:18:50
But I'll let you answer but like I have a cousin who created like

00:18:52
a comic book and that was sort of like you know almost he did

00:18:57
on patreon but it had sort of to me that sort of like Kickstarter

00:19:01
feeling this like a one-off. I'm supporting him.

00:19:03
Wasn't his main business. I don't know.

00:19:04
How do you sort of? There are a lot of Trends there,

00:19:07
you know, we hear less, I think about crowd.

00:19:09
Any relatives or Creator economy now?

00:19:11
Yeah, I think crowdfunding kind of had its day and it works for

00:19:15
some things, but at the end of the day, it's a very different

00:19:18
thing than what we're doing. You know.

00:19:21
Crowdfunding is like I have this thing I want to do but I can't

00:19:24
do it until I get funding. Whereas membership is like, hey,

00:19:27
I'm doing this thing, it's working its media.

00:19:30
And this is now an economic engine for media, and it's a

00:19:33
subscription engine and a community engine, like all these

00:19:36
things, whereas, you know, something like Kickstarter.

00:19:39
Like I have this idea for a project and I need funding for

00:19:43
it and it's this one off chunk and it allows me to do this

00:19:46
other thing. It's just like a very different

00:19:47
type of business model than like, I'm a crater, outputting

00:19:50
regular stuff, and I'd like to be paid for that.

00:19:53
And I'd like to build a business around that that's a little bit

00:19:55
more, like something like the guardian or like New York Times

00:19:59
subscription business and a little bit less like, you know,

00:20:03
I need money to put on a play and I have this idea for a play

00:20:06
happen. Do you think the crowdfunding?

00:20:07
I don't hear as much about it. You know, I mean, for a time

00:20:10
like in I used to cover media and there was a real thought or

00:20:13
argument on the part of these companies that this was going to

00:20:16
supplant, you know, big media companies because why couldn't

00:20:19
it Creator, why do they need to go to Sony or Paramount or you

00:20:23
know, Disney to say, give me money to make this thing.

00:20:25
I want to do versus the audience that I already have.

00:20:28
That might be excited about this idea.

00:20:29
I mean, what, what happened to that?

00:20:31
If you don't think it, you know, has Merit anymore, why not?

00:20:35
Yeah, it's such a good question. I think there's actually not a

00:20:41
ton of interest in most craters that I've talked to for

00:20:45
crowdfunding it feels a little bit like Please help me.

00:20:50
It feels a little bit like I can't do this unless I get

00:20:54
funding, it's a little needy. I don't know, guarantee really

00:20:59
that you're going to get it right?

00:21:00
I mean honestly I don't think it's a scam but it's a real.

00:21:04
I mean, it's an investment essentially which is not.

00:21:06
It's not quite as clear cut an investment.

00:21:08
I would assume like enough people did kick starters where

00:21:10
they didn't pan out and stuff that there was a burnout from

00:21:13
the funder where it's like, Oh, The Upfront model is dangerous

00:21:17
where a patreon or any sort of Subscriptions.

00:21:19
More tied to recurring output. Yeah, and I mean, I think the

00:21:24
other thing about it is it's like a really heavy lift.

00:21:27
Like I know a lot of creators who did these campaigns and then

00:21:32
for three years afterwards, they were fulfilling physical, right?

00:21:36
You get all the horny up front and then you're like, oh now I'm

00:21:39
committed to this thing forever, that, and you assume a lot of

00:21:42
risk in doing that. Like like to, I know craters who

00:21:45
like two years later, they were getting like slips.

00:21:49
German Customs saying like your package didn't go through like

00:21:53
and then they're like, I have this person German, right?

00:21:55
You're saying like Adidas, see like a company.

00:21:58
And you have to scale instantly with no infrastructure.

00:22:00
It's like it's a very difficult problem.

00:22:03
Yeah. So I want to ask a question.

00:22:05
I think everyone out here has probably been dying for me to

00:22:07
ask this whole time. Which was why didn't you tube

00:22:10
supplant patreon as a model, right?

00:22:12
I mean what you guys the the reason that I think everybody is

00:22:16
dying, my God. Yeah, yeah, yeah.

00:22:21
I was gonna get you. Yeah, but I mean, like, the

00:22:28
question was like, you know, when you're a platform business,

00:22:30
especially when it was YouTube related, people would have

00:22:32
assumed that they were just going to build that

00:22:34
functionality into YouTube itself and they were going to

00:22:36
crush you guys. I think I really like 50

00:22:39
articles about that in 2014. Yeah, I kind of want to do the

00:22:42
mean answer because I've had a beer and so what do the mean

00:22:47
answer? The mean answer is they listen

00:22:50
to two types of feedback lawsuits and competition and

00:22:55
that's not exactly true. That's the mean answer.

00:22:57
They actually have a really great product team.

00:22:59
I mean, at the end of the day they do, it's just a matter of

00:23:02
prioritization for them, and I understand why they didn't build

00:23:05
this. I didn't understand, you know,

00:23:07
before I started a product company, you know, now I

00:23:11
actually do understand, I understand because the vast

00:23:14
majority of their business comes from ads and this was not a

00:23:17
priority for them, it's not there.

00:23:19
Mission. Their mission is not to make

00:23:20
sure creators make a living like that's not the mission of the

00:23:23
company. They thought it was for a bit,

00:23:25
right? I mean I think back to like I

00:23:26
don't want to 12 the Creator spaces.

00:23:29
I mean the hundred million investment in all the different

00:23:31
channels. Yeah.

00:23:32
But those are all means to an end.

00:23:34
You know those are they were and I don't mean to talk shit about

00:23:36
YouTube like it's a great company.

00:23:38
I would not have a band or distribution or anything.

00:23:42
I guess, I'm just offering that, like, all of those things were

00:23:47
efforts to increase. Watch time.

00:23:49
And right, like the primary kpi for the company was watch, time

00:23:53
is watch time. That is what they're trying to

00:23:56
do, right? So like look at the kpis and

00:23:59
then you get a sense of like, how are they prioritizing?

00:24:01
And what matters. And if you want to know,

00:24:03
ultimately, if you really want to know a company's priorities,

00:24:06
just look at the allocation of R&D.

00:24:08
In the organization, just look at where their Engineers are

00:24:11
working and in YouTube's case, they're working on ads, they're

00:24:14
working on, watch time they're working on things,

00:24:16
personalization recommendations algorithms.

00:24:18
That's what they're trying to do.

00:24:19
Do and I get it, I just and it makes sense.

00:24:21
I think it's the right thing for them to do, it's their business.

00:24:24
But I think you know, the problem still needs to be solved

00:24:27
and somebody's got to solve it. I mean, you can look at patreon

00:24:32
from so many different lenses. One is like this sort of Insider

00:24:35
like yeah YouTube versus patreon versus some staggering.

00:24:39
But there's also just I've heard you talk about this before.

00:24:42
I mean, zooming way out. We have these assumptions about

00:24:46
like bands selling CDs or like the Types of business models

00:24:50
that fuel creatives. Like, I don't know.

00:24:53
Do you like, do you think we take too much for granted like,

00:24:57
this is the way like you run a band right now.

00:25:01
Yeah, yeah yeah. We're convinced all that shit is

00:25:04
bullshit is bullshit like nobody, nobody knows.

00:25:09
Nobody knows that there's so many interesting new innovative

00:25:13
business models around media right now, if you think about

00:25:15
what's actually happened like the last 20 years, Art creation,

00:25:20
Global art creation has shifted from The Real World into the

00:25:25
digital world. You talking about NF, TS I know

00:25:29
it makes me want to know your NF TV.

00:25:31
Let him finish this. That I'm talking about the fact

00:25:34
that like we used to like, make a living digitally, right?

00:25:38
Like I said, the live performance aspect.

00:25:40
This excluded is like, it's a minority of how we engage with

00:25:44
our audience. Yes.

00:25:45
And like now our art is infinitely replica.

00:25:49
And no longer scarce, and that's why you're seeing things like NF

00:25:53
teas and why you're seeing all these other like, you know,

00:25:56
technological innovations. Because everybody's trying to

00:25:58
figure out how does art survive in the day and age of of

00:26:03
infinite replicability and infinite, like creation, right?

00:26:09
So each infinite and reach infinite, reach and

00:26:11
distribution, and the economics are still being figured out,

00:26:16
right? That's why I like, people are

00:26:17
excited about the crater. Economy is because Cuz it's

00:26:19
there's finally a movement that's like raising their hand

00:26:22
and saying, no ads are not good enough by themselves, that is

00:26:27
not the answer. We need to figure this out as a

00:26:29
species, do you worry? I mean, any new business model,

00:26:34
has it could raise revenue a lot for the top creators, it could

00:26:38
create more opportunity for a long tail.

00:26:41
Yeah, I mean there's certainly resentment from some podcasters,

00:26:44
you know like oh the best leftist comedy podcast gets like

00:26:47
a ton of chopo choor. Coughs or whatever, you know,

00:26:50
and then all the other sort of the long tail, it's just much

00:26:53
harder. Same shit with sub stack to,

00:26:54
right? I mean, they're not even

00:26:55
claiming that like sub stack is a scam because you can look at

00:26:58
Matt Iglesias, right? There's enough Edibles or are a

00:27:00
newcomer the biggest create a newcomer like business do you.

00:27:04
But I mean, do you think there's more of a using?

00:27:06
There is more of a long tail with this new model, or do you

00:27:10
think it's don't think so? I know.

00:27:12
So I know so because I've seen the data looked at patreons,

00:27:16
distribution of earnings by Creator and Um creators who were

00:27:20
previously making a few hundred bucks on YouTube under the old

00:27:23
model are now literally, making thousands of dollars in some

00:27:26
cases tens of thousands of dollars and hiring executive

00:27:31
teams and leasing office, space and building Studios.

00:27:34
And the way I would describe it as the long tail as much longer

00:27:38
and much taller. In other words, the the

00:27:42
democratization efforts to empower and enrich creators have

00:27:48
applied. To now hundreds of millions of

00:27:50
people globally, and it's working.

00:27:53
Now, will there be creators? Who haven't found content Market

00:27:57
fit yet? Or only have, you know, a

00:27:59
thousand fans or whatever it is and can't quite figure out the

00:28:02
economics. That will always be the case and

00:28:07
it's not that actually. Like I am very sympathetic to

00:28:10
those craters. I was one of those craters for a

00:28:13
very long time. I was trying to find fit and

00:28:15
trying to find an audience and felt like I was speaking to

00:28:17
avoid. And that Fucking sucks sucks,

00:28:20
but it's hard for me to imagine a company that can solve that, I

00:28:26
don't know that that can be solved.

00:28:27
I think there will always be creative people who want to find

00:28:30
an audience and can't seem to do that.

00:28:34
Do you feel like it is patreons responsibility in any way to

00:28:37
help with distribution and discoverability?

00:28:40
Get us the hardest thing. Right?

00:28:41
It's like I know what I'm doing is great.

00:28:43
Yeah, I know an audience out there exists that wants to pay

00:28:45
for it, but I don't know how to react them.

00:28:47
Yeah. By the way, it's so funny.

00:28:50
Like talking product strategy in this context, isn't it?

00:28:53
Was like a really fun. All right, let's let's talk

00:29:01
product strategy. Yeah, so you ask me if it's

00:29:06
patrons, responsibility, do you feel present work on Discovery?

00:29:09
So here's how I would frame it patreon, set out to solve a very

00:29:12
specific problem. The specific problem we're

00:29:15
solving was, there are creators, who are getting millions of

00:29:17
views. Jurors who have incredible

00:29:20
reach, but they're being undervalued by Society.

00:29:24
Society was looking at this craters and saying, you're

00:29:26
getting a million views. Here's a couple hundred dollars

00:29:29
that's fucked up. Our responsibility is to fix

00:29:34
that problem, because no one else was fixing that seven eight

00:29:37
years ago. Now, there's turns out there's

00:29:39
other companies that are trying to fix that as well, but our

00:29:42
focus and our mission was to solve that problem.

00:29:47
Here's where it gets interesting.

00:29:48
Suppose we were to say, okay, we're actually not just going to

00:29:51
solve that problem. We're going to try and help

00:29:54
creators find audiences to begin with.

00:29:57
That actually puts us in competition with YouTube.

00:30:00
That puts us in competition with Facebook.

00:30:02
That puts us in competition with Twitter.

00:30:05
At the same time, I actually don't know that.

00:30:09
That's a war that we would win. Like those businesses are solid

00:30:14
businesses, they have moats, they have Network effects that

00:30:17
make it very difficult to break into those worlds.

00:30:20
I think patreons. Best bet at solving.

00:30:22
This problem of crater payments is focusing very specifically on

00:30:27
the problem of Creator payments and it's slightly different

00:30:30
problem than audience and reach and so An effort to like Define

00:30:36
the category and get into market and help creative people.

00:30:41
We were very narrow and targeted with our focus on what problem

00:30:45
we're solving. It's super interesting, you

00:30:47
know, having my own newsletter sub stack, clearly has a can get

00:30:51
hit from either side, right? If they take 10%, I'm and they

00:30:54
don't give me distribution. I'm sort of resentful.

00:30:57
Yeah, that they're taking so much right.

00:30:59
On the flip side, we just saw. They launched an app and now

00:31:02
it's like, oh, you're trying to sort of move me into Or Walled

00:31:05
Garden a little bit. You know, then turn it smartly

00:31:08
is that promising distribution at all.

00:31:10
Like, yeah, the app you know it's much easier to read other

00:31:13
newsletters when you're in it. You know, there is sort of and

00:31:16
it's much more like will upsell You from One crater to the

00:31:19
other. I mean, yeah.

00:31:20
You see some stack is a competitor.

00:31:22
I mean you're seeing more sort of we're going to sort of carve

00:31:25
off part of your thing and try. And I don't know, it's call ins

00:31:30
too small. But like David Sackett said

00:31:32
their podcast apps or I don't know what what do you think?

00:31:35
Sort of the so it's marketization.

00:31:37
Yeah, it's the transition of a company from essentially being

00:31:40
like a SAS company, to being a Marketplace company, right?

00:31:45
It's like, I'm an enablement tool for individual sellers to

00:31:50
sell things to their audiences, which is like a Shopify, but,

00:31:55
like, look, what you would shopify's doing with the shop

00:31:57
app, right? It's they're like, well, now we

00:31:59
have all these sellers and we have all these products.

00:32:01
We may as well build a Marketplace, and build, some

00:32:04
demand, gen into our Engine for our own audiences, right?

00:32:07
Like that's Shopify. That's what they're doing with

00:32:08
the shop app and like sub stack is essentially doing a very

00:32:11
similar thing. Just like look, our go-to-market

00:32:13
like the, our wedge into the market, was solving this

00:32:15
newsletter problem, but now we're going to build a

00:32:17
Marketplace company that's going to help creators find new

00:32:20
audiences and it's going to have Network effects for sub stack.

00:32:24
I mean, I don't know this. I'm just, I'm guessing that

00:32:26
that's probably what it is and it helps them build a moat and

00:32:29
helps them build a fence ability.

00:32:30
And so, I mean, I understand the move I think it's like a very

00:32:33
smart move for the company. What about, what about?

00:32:36
Oh, let me get the audience involved here.

00:32:37
What about only fans? Yeah, I mean, what do you what

00:32:40
do you for talking about porn now?

00:32:41
Everything now, you guys, not only fans, you guys have your

00:32:44
only fan setup. You don't have to tell me, I

00:32:48
already pay. I mean, like they, by the way,

00:32:51
charge less than you guys do right there fee.

00:32:53
Is I think five percent know, they charge way more.

00:32:56
It's 20%. That's what sorry.

00:32:58
Yeah, I'm really off the beat well edit that out.

00:33:02
So, only fan storage is 20%, Which is slightly.

00:33:05
More than you guys charge. Oh, that's interesting.

00:33:07
Yeah. Did they really charge 20%?

00:33:08
Yeah, which is, you know, strategically is it gunshot?

00:33:11
They charge less? I thought I was like 5 years.

00:33:13
I read that somewhere, but it was corrected.

00:33:14
Okay, interesting. So, you know, at that percentage

00:33:18
level, you know, they're obviously going not

00:33:19
intentionally, they claim to they'll go after anyone.

00:33:22
But yeah, you know, 20% they feel like that's worth it for

00:33:26
their audiences, it just because they're going after a group of

00:33:28
people largely, you know, sex workers who you guys make a

00:33:32
point of not allowing for on Patreon.

00:33:35
Yeah, gosh. I think I'm in like default

00:33:40
empathy mode or something right now, but I'm like trying to like

00:33:45
understand why they do that. And I actually do understand why

00:33:48
they do that. Yeah, I think it's like look,

00:33:54
these are this is high risk content.

00:33:56
It's expensive to process the payment processing fees on that

00:34:00
type of content are much more expensive.

00:34:05
Now they have a great business with like awesome margins and

00:34:08
they're growing and it's that's awesome but it doesn't like I

00:34:13
don't know that they could go much lower on that and still

00:34:16
have a healthy business and they can trace your Capital.

00:34:20
It seems like yes, they've had it probably have Runway so to

00:34:23
speak. And again, I don't know, like

00:34:24
I'm not into tried personally. So I don't know any of these

00:34:27
things, I'm just talking out of my ass but like, yeah, I think

00:34:30
at the end of the day, the risk is, why you don't allow why, why

00:34:32
don't you allow that type of pants?

00:34:34
So, When we make decisions like we've never allowed porn from

00:34:38
from day one. Uh-huh.

00:34:40
And it's like it's not a values decision.

00:34:42
Like we have no problem with pornography.

00:34:44
In fact, I'm really grateful that only fans exists as a

00:34:47
company. Like this is a category of

00:34:49
underserved people that need help and their industry fucking

00:34:53
sucks. And their industry is unsafe.

00:34:56
And it's abusive, right? And they need something like

00:34:59
this so that they can like shift power and control.

00:35:02
From these institutions toward these individuals sex.

00:35:05
Workers who need this? I'm so glad that only fans

00:35:08
exist. Now it has problems of course

00:35:10
but like I don't know I'm hopeful that those problems will

00:35:13
be solved in these people will be helped so why didn't we do

00:35:17
that? And it's a really good question.

00:35:19
We didn't do that because two reasons, not values-based

00:35:23
reasons, we don't have problems with porn.

00:35:25
It's that at the end of the day, it's much higher processing

00:35:29
fees. It affects the like the type of

00:35:32
business that we can run and how much we have to charge for it.

00:35:36
We want to keep our prices super low.

00:35:38
We don't want to take a ton of money for a taxi for like credit

00:35:40
card companies, charge higher for products that are in that

00:35:44
Arena. So it's at the end of the day,

00:35:45
it's like category of processing, like what type of

00:35:48
like gambling pornography. Like there's a whole category of

00:35:52
the risks or yes, there's a whole category processing types.

00:35:54
I have like a lot of chargeback fees and a lot of a lot of risk

00:35:58
associated with the content and the payment processors have to

00:36:01
pay higher fees themselves as a we have to pay our fees and

00:36:04
trickles down to the The Creator.

00:36:05
So that's reason number one. Reason number two is we call it

00:36:10
mission risk. It's like what we're going out

00:36:13
to do is help podcasters and video creators and webcomics and

00:36:17
like all these creative people and the internet has a history

00:36:22
of like when you allow pornography on your website it

00:36:25
suddenly becomes a website for pornography, right?

00:36:28
And like it's not that I don't like like I'm fine with that

00:36:31
existing. It's just like, that's not the

00:36:33
company I want to build. I don't want to build A porn

00:36:35
company. I want to build a company that

00:36:36
helps progress a source of great with only fans, right?

00:36:38
Because I was writing about them in a time where they were really

00:36:40
trying to spread the message to the media that were for a lot

00:36:43
more than that. We're just like in the same way.

00:36:45
You guys are a platform for creators.

00:36:47
Yeah. But that's again totally

00:36:48
aspirational. That was never going to happen

00:36:50
but they were never Beyonce name.

00:36:52
Dropped it in the song like they know.

00:36:53
I mean they yeah but look at the context in which his name

00:36:56
dropped its like I'm gonna start an only.

00:36:58
It's like like it's like sexy. Well, the analogy that they were

00:37:02
using at the time which was interesting and maybe not.

00:37:05
Turret was like Snapchat Snapchat.

00:37:07
Yeah was you know originally for dick pics.

00:37:09
Yeah it was like what people assumed its use case one yes and

00:37:11
then you know the argument that Evan and those guys were making

00:37:14
his life. Well no it's not and most people

00:37:16
aren't using it for that but I think they sort of saw that

00:37:19
similar kind of transition like the dick pic at becomes the

00:37:21
multibillion-dollar. Right?

00:37:22
Messaging. App in the way that only fans,

00:37:24
it's just a platform, right? Why couldn't it work, right?

00:37:28
And in this particular case, I think it I don't want to call it

00:37:31
a lost cause but like past the certain thresholds You know,

00:37:35
even when like safer work quote unquote safer work, creators

00:37:39
launch on only fans. The message is that they get

00:37:41
from all the consumers on the website who have been trained to

00:37:44
solicit for pornography, are sending them inbound messages

00:37:47
saying, like, show us your feet, like, take off your shirt and

00:37:51
these craters are like, know what that someone doing this,

00:37:54
right? And it like it's a

00:37:55
self-fulfilling prophecy to read Comics.

00:37:57
You don't want to see my. Yeah exactly.

00:37:59
Yeah, but so that's why we made the decision that we made and

00:38:04
again It's not, it's not that like our hearts.

00:38:06
Don't go out to those people and it's why I'm very grateful that

00:38:08
only fans exist. It's just not the mission of our

00:38:11
company. I wanted to ask the founders

00:38:13
lever people for newcomer, get to see your feet.

00:38:15
You know, I wanted to ask sort of a, the higher tier.

00:38:20
I mean a recurring theme is sort of you're having empathy for

00:38:23
other like product companies. Obviously you're like a CEO now

00:38:27
your Co you've been a CEO for a while.

00:38:29
You're CEO of a four billion dollar company.

00:38:30
Yeah, I mean used to be like a musician, right?

00:38:33
Where were you whistling? Music.

00:38:35
Yeah, you can start your a lot with two music videos and we.

00:38:37
All right. Yeah.

00:38:38
All right. But like, I don't know.

00:38:40
I'm curious like your own personal transformation.

00:38:42
Yeah. I like doing the business.

00:38:44
Yeah. Big like, were you sort of much

00:38:47
more, skeptical of business? People back back.

00:38:51
When you were mostly a musician or I, or were you always have

00:38:54
sort of? I was standing.

00:38:56
I was and I and not only skeptical, I was angry and I

00:39:02
still am I still am angry? I think.

00:39:04
A lot of companies. Make decisions that make me

00:39:08
angry. And maybe the difference now is

00:39:11
like, I understand why the decision was made, because I've

00:39:16
seen how this works, and I've seen like things that, like, I

00:39:20
just seen it like, oh, we have a product team.

00:39:22
They focus on this Earth at that.

00:39:24
Yeah. And and and so the transition

00:39:28
has been, one of, it's been a humbling transition, like I This

00:39:35
shit is hard. Like I have a lot of empathy for

00:39:38
product managers that YouTube like they're serving 2 billion.

00:39:41
People do not have empathy for you've been incredibly

00:39:43
empathetic this whole conversation.

00:39:45
Where did you go? That's fine.

00:39:50
No, that's not true. I mean, I do, but but also, like

00:39:53
what is happening, is so fucked up and evil and atrocious and it

00:39:58
makes me really angry. And I wouldn't describe my

00:40:00
feelings doesn't pathetic for that.

00:40:01
Well, actually be, I can, I can I can tie this back in because

00:40:04
there was a See a great article that came out the other day

00:40:06
about when all these Western companies cut off support.

00:40:10
Yeah, in Russia, you had, you know, a huge number of craters

00:40:13
on only fans in Russia, right. I had no ability to continue

00:40:16
their business, I mean, they're obviously a victim in a way of

00:40:19
policy on the part of a lot of mere Putin.

00:40:23
But what have you guys done anything in terms of your

00:40:26
creators in Russia? Do you guys feel the need to do

00:40:29
anything other than? Yeah, if you've done anything, I

00:40:31
mean, do you feel responsible for them in any way?

00:40:33
So I mean, yeah. We've We, you know, that there's

00:40:37
been a like, a task force at patreon.

00:40:40
That's been working on this for, you know, weeks and actually

00:40:43
shout out to some patreon teammates who are here, who have

00:40:46
been working on that task force. It's like a very difficult, very

00:40:51
hard thing to be in the middle of and it's our first time as a

00:40:54
company like experiencing a global event like this, you

00:40:59
know, one thing that we did is we like waived fees for our

00:41:02
Ukrainian creators for the next three months, just as an effort

00:41:05
to like help and send more money to those craters and help them

00:41:08
get through this. Not that I'm any creators in

00:41:10
Ukraine. You guys, it's thousands,

00:41:12
thousands of of creators that Ukraine and like including like,

00:41:16
you know, like independent journalism that are like

00:41:18
reporting on the war and and that's important.

00:41:23
And so so yeah there's a team that's working as a team that's

00:41:26
working on, you know, misinformation campaigns and

00:41:29
trying to evaluate if anybody has, you know, but spreading

00:41:31
that on patreon it, did you cut off just brushing creators or

00:41:35
No. So actually a lot of that is

00:41:37
happening regardless of what we're doing, right?

00:41:40
So like a lot of the payment processing relationships and,

00:41:44
you know, Bank relationships are just failing.

00:41:49
Now, regardless of any decisions that patreon is making because

00:41:53
they are, you know, because of sanctions because of banks

00:41:57
pulling out because of processors pulling out.

00:42:00
And so, you know, last month we saw a number of, of those

00:42:03
transactions fail and we're expecting even more.

00:42:05
More this next month because you know, even more companies have

00:42:09
pulled out. Do you guys have creators in

00:42:10
Russia? Yeah I do.

00:42:12
Yeah. Had there been Payment

00:42:13
Processing that was going through I don't know if there

00:42:15
still are would you continue to offer service to them?

00:42:18
Yes we would and we are I don't think individual creators should

00:42:25
have to pay for the misdeeds of their authoritarian leader.

00:42:31
I want to put that on Creative people.

00:42:33
They met They may disagree with the War, I don't want to punish

00:42:38
them for their geographic location and our team doesn't

00:42:42
want to do that either. Like we are a Creator first, I'm

00:42:44
going to push back on that. And I'm very sympathetic to that

00:42:46
idea, but the pushback would just be, you know, it's a

00:42:49
western world like foreign policy sort of agenda item to

00:42:53
create as much trouble for Russia economically as possible.

00:42:57
And that means yeah, if anybody is in, Russia's going to have a

00:43:00
hard time like you just don't want to be part of that sort of

00:43:04
like Crackdown. I mean, if there is a way we

00:43:08
could punish Putin like great, right?

00:43:12
But like this, the version of this podcast in Russia, like

00:43:18
patreon, ceasing to support that this is.

00:43:21
This podcast is is no. Yes, a clearly that would be a

00:43:24
very important podcast right now.

00:43:26
It but like you see the only voice of reason in Russia right

00:43:29
now you have cats like I believe patreon empowers, the shift from

00:43:35
companies and Regimes to individuals that is the like,

00:43:39
that is a core element of what we do.

00:43:42
So, so like that would send a terrible signal to the world and

00:43:47
it would be the wrong choice for us to remove the livelihoods of

00:43:52
creative people in the middle of like one of the most tumultuous

00:43:55
Global events. Again, I that's just we would,

00:43:58
we would never make that decision and actually, I realize

00:44:01
it may be unpopular as a better than playing a moment

00:44:03
controversial inside your company.

00:44:05
No, it was Because we are. It's such a Creator first

00:44:09
culture. Now, I'll tell you, we did

00:44:12
debate, like, you know, suppose like Artie had had like

00:44:17
distribution or how to funding, you know.

00:44:19
Those are things that we would consider writing State back

00:44:22
media propaganda. Campaigns course that like

00:44:27
that's something that we have to be very careful about but an

00:44:30
individual Creator who's making videos and making money.

00:44:34
That's our mission. That's what we exist to do.

00:44:36
And actually, Ali. I don't feel like being

00:44:39
apologetic about that eating like I'm very proud but that is

00:44:41
our stance and I believe in my heart that it's the right stance

00:44:45
for patreon to take shift, shift, yeah, lighter topic.

00:44:51
Yeah, that I do. I hey, it's very, I'm glad we

00:44:53
hit on that territory. So it's important to talk about

00:45:05
but nft Sort of touched on them before and I mean to some degree

00:45:09
had ties to an earlier and of these in a way are like sort of

00:45:12
the crowdfunding, right thing or like, right?

00:45:14
There's a lot of like projects that seem to get a lot of money

00:45:17
early before they've delivered, you know, it's like the board

00:45:21
apes are popular but a lot of you talk to nft people.

00:45:23
Yeah. Why are they so valuable?

00:45:25
They're like, oh, that's going to be entering entree, into a

00:45:27
great community. And we're gonna have a lot of

00:45:29
things down the road, I don't know.

00:45:30
Do you does do n ft's enter to your Calculus at all?

00:45:35
And I'm sure curious. If you see See the same parallel

00:45:38
to like the crowdfunding days with with some of the crypto

00:45:40
projects. So, two thoughts on this first.

00:45:44
Anything that helps creative people make money is interesting

00:45:50
to us and we are excited about that because I want creative

00:45:56
people to be compensated for their work.

00:45:59
Like, what is happening globally right now is a labor problem.

00:46:03
Like, craters are legitimate members of the workforce.

00:46:07
And they're not being compensated for their

00:46:09
contribution to society. That's unacceptable in my mind.

00:46:15
Anything that addresses that I'm a, I want to learn about.

00:46:19
I want to follow, I want to understand.

00:46:21
And so of course we follow this whe under.

00:46:24
We try to understand, we try to learn about it, we want to be

00:46:26
very curious about these sorts of things that are emerging for

00:46:29
craters. So that's the first thing.

00:46:32
Second thing is with regard to end of TS.

00:46:38
I'm I am excited about use cases.

00:46:41
I am excited about value to creators regardless of the

00:46:48
technology. Now, I think there are some

00:46:49
technologies that are exciting blockchain and at ease etcetera,

00:46:53
but we wouldn't do something for the sake of.

00:46:57
Well, this is an exciting technology.

00:46:58
Let's use it somehow. Let's leverage it, somehow

00:47:01
that's not how we build things. We build things by thinking what

00:47:03
is important for Creative people?

00:47:06
What is valuable for Creative people.

00:47:08
How can we help creative people make money?

00:47:11
And so it may actually be that like some of those things are

00:47:16
things that we evaluate and think about over the coming

00:47:18
years. But we start with the business

00:47:21
use case for Creative people and then we work backwards from

00:47:24
there and art. Like would we consider things

00:47:27
like entities, I think I think actually right now we're so

00:47:30
focused on membership as a category, anything that isn't

00:47:33
membership. We're not really working on.

00:47:36
It's possible that something like And ftes or, or not even

00:47:40
calling it an EFT. He's like, scarcity, I think is

00:47:43
an interesting Concept in the day and age of digital Goods.

00:47:46
But even a more interesting concept is the idea of access.

00:47:50
And so it's interesting to us is like some people are using n FTS

00:47:52
to say. Like, if you have this nft, you

00:47:54
get into my Discord. That's really interesting.

00:47:56
It's like it's not even about money that points about access.

00:47:59
It's about because you have people working on that because I

00:48:02
mean you could see the membership model to my Discord.

00:48:04
That's a big perk. That's a that's a very big part.

00:48:06
That's the thing you guys do a lot of what But had a greater

00:48:08
that's what I mean by like benefits, right?

00:48:11
That's less about the financing mechanism, then arises benefit.

00:48:14
So say I want to discard with only like 100 people.

00:48:16
Yeah, then I could sell if it sells to somebody else, right?

00:48:20
I get like a cut of maybe the transaction, but it also means

00:48:23
that the market in some ways going to solve.

00:48:26
I mean, you're then only going to get your hundred richest

00:48:29
fans, but I don't know yet. Is that so okay, so I think

00:48:33
there's I think there's like three pieces of value to end of

00:48:38
T's right now and I think there will be many more that emerge

00:48:42
but the three pieces of value think first is like, access

00:48:47
people are using that as access that is interesting.

00:48:52
The second is like monetization of digital assets that is also

00:48:55
interesting for like creative people.

00:48:57
It helps them sell a thing. And then I think the third is, I

00:49:01
know, they're not technically Securities, although, maybe that

00:49:03
changes under Biden. Given the - order, but it is, it

00:49:09
is an Essence, behave starting to behave like a security and

00:49:12
that it is something that can grow in value.

00:49:14
Over time, you are almost becoming an equity holder in an,

00:49:18
in an asset. I mean, you are becoming a

00:49:20
holder of an asset that that can grow in value.

00:49:25
And all of those use cases are interesting.

00:49:26
They're not patreons focus. They're not things that we're

00:49:29
building into our product but they are.

00:49:30
Do you have some person? Where are you working on this or

00:49:34
so? I realize it probably sounds

00:49:37
like I'm being very vague. I'm being vague because how we

00:49:40
build things, how we built things that the company is not

00:49:44
starting with a technology. It's starting with use cases.

00:49:46
So, so when we hire people and think about these sorts of

00:49:49
problems, we're going to hire people.

00:49:51
And the charter will be give craters, leverage and control

00:49:56
the charter of the team will be. How do we, how do we give

00:49:59
craters? The ability to sell things to

00:50:01
their fans? How do we give craters the

00:50:02
ability to engage in digital Commerce?

00:50:05
So how do we give craters the ability to own the relationship

00:50:08
with their members? Now the team may or may not

00:50:10
employ NFC technology or blockchain technology as they're

00:50:13
like building those things but we don't start with this is our

00:50:17
Block Chain team, okay? Team figure out how to use

00:50:20
blockchain, you know we can be in Tech world where they're

00:50:23
like, why not? And then ft but there is yeah

00:50:26
they're like Gamers. Who is really repressed?

00:50:28
Oh they're definitely start off a whole like, you know, arm of

00:50:30
the company, doing Lyra like Facebook did, right?

00:50:32
I mean, that's yeah. I mean So that's vase Lira Lira,

00:50:37
right? Libra Libra, fuck movie and then

00:50:41
it got shot. But I'm just saying, there's

00:50:43
definitely a set of people would also be very angry if it says

00:50:46
here at the Italian current. Yeah.

00:50:48
Right. Which would be a great nft.

00:50:50
That's like the opposite of view on any entity.

00:50:53
Crippling personally, I don't really I don't want to have

00:50:56
teeth. Yeah.

00:50:58
Sorry I got us off track with this.

00:50:59
What? Yeah, I wish I was more of an

00:51:01
observation that there. It's not like there's a total,

00:51:03
there is like a very rabid. Crypto Pro camp, but then, I

00:51:07
mean, you have comic book artists and game developers.

00:51:09
Like, those types of people have fans that might be very angry at

00:51:13
patreon. If you were to sort of dip your

00:51:15
toe, in those Waters. Yeah, there are.

00:51:19
And and, and like, even like I did a podcast, I don't know, 12,

00:51:25
like three months ago or so, And I just talked about and ft's,

00:51:31
like, all I do is talk about Nazis and I didn't even talk

00:51:33
about drove out. The value of n of t, i do.

00:51:36
I asked an investor about NF T's on the podcast.

00:51:40
I didn't even talk about them and it, you know, there's

00:51:42
speculation and concern, along lot of brothers, I've even

00:51:45
realize it. So you've got in the heat.

00:51:47
Yeah, so already, we were yeah, of course.

00:51:50
Yeah. I mean it's yeah, we've only got

00:51:52
a couple minutes left, I think. Yeah.

00:51:54
So I want to get to the maybe like a couple last topics before

00:51:57
we can turn it. Audience, if anybody here has

00:51:58
some questions too. But I want to talk about the

00:52:01
only thing that Eric and I actually care about which is

00:52:02
journalists greater. That's right.

00:52:05
Yeah, we waited till the end, our budget, we're like several

00:52:08
weeks into this endless cycle about whether journalists are

00:52:11
Brands and whether journalists are creators.

00:52:13
Now, you know, what about Taylor?

00:52:14
The rent in, get her to engage with you on Twitter honor, the

00:52:18
topic, the broader topic, we render wait, you said whether

00:52:22
crate, whether journalist Our Brands or create, these are very

00:52:25
small. You probably don't have to

00:52:26
follow this, but Taylor Lorenz basically said my name's, all

00:52:30
right, but she said that you're a lesser Brands and then a bunch

00:52:34
of old schools are like White House.

00:52:35
Maggie Haberman to the world, really like push back on it and

00:52:39
was like you know, because they just don't want to think of

00:52:41
themselves as a brand because it sounds very like Creator.

00:52:45
I don't know. It's just such a like it's a

00:52:48
Flashpoint word. So that's that sort of the fight

00:52:51
that's happening. Sort of in on the journalism

00:52:53
Twitter Wars at the moment relates.

00:52:55
Very much to where you came from and the hole.

00:52:57
Greater economy because it's this question of like, do we

00:53:00
exist as employees as part of larger?

00:53:03
Institutions, do we work for them?

00:53:04
Or can we work this? Quasi independently of it?

00:53:07
That gives us more job security or leverage that if we want to

00:53:11
go off on our own or or create some some kind of income that

00:53:15
exists Beyond just the brand of the New York Times or the post

00:53:19
or Insider, okay? Super interesting concept.

00:53:27
So A couple thoughts on that there, I hear kind of to two

00:53:32
issues there. The first is like can

00:53:34
journalists develop independent followings and of course option,

00:53:40
right? Obviously do journalists need to

00:53:43
be a part of larger institutions and Leverage.

00:53:45
The the reach from those institutions historical, reach

00:53:50
know obviously that is changing but the more interesting part of

00:53:55
I think what you what you just said is like The distinguishing

00:53:59
characteristics between this concept of a brand and the

00:54:03
concept of a Creator. Exactly.

00:54:05
And what I would argue is that those are very fucking different

00:54:08
things, very different. A brand is consistent.

00:54:15
It has Brand values. It builds trust, it has decks of

00:54:20
like its style and it's voice and what it sounds like and if

00:54:24
it were a person, what kind of genes would it wear like That's

00:54:28
what brands are brands are not human beings.

00:54:33
They're not great. I love this.

00:54:34
Yeah, like a journalist creators are fucking people.

00:54:39
They're inconsistent, they're human, they're beautiful,

00:54:43
they're frail, they're smart, they're stupid, they're

00:54:45
strategic, they are impulsive. They're human beings.

00:54:50
And I think what one problem that I think is a pretty big

00:54:54
problem is, we're all trying to behave.

00:54:57
Like Brands today and brands are corporations, like, we don't

00:55:03
have to be marketing, France. Yes, it's crazy to me.

00:55:05
How much that is infected normal conversation?

00:55:08
I mean, I guess I'm a tune to it because I've written about

00:55:09
advertising, it does not need to be a thing that regular people

00:55:12
talk about know. It's a thing.

00:55:14
You used to sell jeans? Yes.

00:55:16
Yeah, and it also frankly, it's only we're content by the way,

00:55:20
it's not yet. It's a terrible content is not

00:55:23
life, right? You know, but but we are, it's

00:55:26
ineffective. Brands have lower trust than

00:55:30
they've had in many many years except for the people that liked

00:55:33
it. What do you mean by that?

00:55:36
Well, I mean, like, the people that ascribe themselves to a

00:55:38
specific brand, they trusted another, I would argue there are

00:55:43
fewer people who do that now. Like, if you look at consumer

00:55:46
trust, it's been dropping for a long time.

00:55:50
And then, you have to ask, why are we all trying to behave like

00:55:54
Brands if brands are losing trust and mass right now?

00:55:58
Like I think about identity, I think people have chosen to

00:56:00
identify the specific brand not brand, right?

00:56:03
Like identity is personal, it's human.

00:56:05
But you could draw a distinction between like authenticity and

00:56:09
like intentionality or something with intentionality.

00:56:12
Yes being closer to a brand and I don't know, I run a media

00:56:16
company there. Like some days I'm like

00:56:19
depressed. I'm like I don't know what I'm

00:56:20
supposed to write. I don't always just like send

00:56:23
that out as an email. I like think like oh what a my

00:56:25
brand is professional. Yes to be the founders to you.

00:56:29
You're so I do feel like there's like a school of the Creator

00:56:31
world that would say you should just be authentic.

00:56:33
Look at the end of the day. It's up.

00:56:35
To a crater to decide what they want to do.

00:56:37
I think there is value to some craters building Brands.

00:56:39
I'm not going to say every Creator should just fucking be

00:56:42
themselves, no matter what, like some people would be like, I

00:56:45
don't want to follow the person. I want to follow this thing.

00:56:48
That is exciting about them. That's like, something that

00:56:50
would be, you know, on the interest graph as opposed to

00:56:53
like a, you know, friends. But I would argue that like, for

00:56:57
me my favorite artists, like my favorite artists are the people

00:57:03
who are unabashedly. It's all of the good, all of the

00:57:07
bad, all of the dark, all of the pessimism, and all of the

00:57:11
optimism. All at once when you watch a

00:57:13
prince music video, that fucking guy is just himself, no matter

00:57:18
what, and I don't want him to behave like Walmart.

00:57:23
I want him to be Prince and like my favorite creators.

00:57:27
I want them to be themselves and I want them to feel human and I

00:57:31
want them to not feel trapped by their brand values.

00:57:35
So like I did get some mistake for everybody to think I need a

00:57:39
personal brand. I need a Creator Brent, like

00:57:42
just be yourself but it's fun. I think that's that's a great

00:57:45
and why? I think I okay.

00:57:46
All right. Thank you.

00:57:47
Let's get a round of applause. Thank you very much Jack for

00:57:50
coming. Thank you for all listening to

00:57:52
us. We really appreciate it.

00:57:54
That was dead cat. You can check out our podcast.

00:57:57
It's distribute on the like And subscribe.

00:57:59
We're Creator us. I wouldn't say we're a brand

00:58:02
after that speaketh, but I do know I'm like, no.

00:58:05
Not a brand-new monetize Buddha. No, it's not, sorry, it's okay

00:58:09
to be a brand. I think some people need Brands

00:58:11
because they're following the thing that the brand cares

00:58:13
about. That's totally legit.

00:58:14
Have you want to get it? Discusses, I have a lot of 30

00:58:19
minutes. It's gonna be fun.

00:58:20
We're gonna have buzzers, we're going to be seized testing their

00:58:23
knowledge about startups and Venture Capital.

00:58:25
So stick around. Thanks buddy.

00:58:28
You guys later. So what comes Sally?

00:58:41
Goodbye, goodbye. Goodbye, goodbye, goodbye,

00:58:45
goodbye. Goodbye.

00:58:41
Goodbye, goodbye. Goodbye, goodbye, goodbye,

00:58:45
goodbye. Goodbye.